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Thanks to love, commitment and efforts of Alicia Torra de Larrocha, the pianist’s daughter, and two archivists, some 10,000 items including sheet music, interviews, photographs, correspondence and recital gowns have been collected into a personal archive to celebrate and preserve her mother's legacy. 

Currently, the archive is housed in the apartment in Barcelona's Sarria neighborhood where De Larrocha lived from 1976 until her passing in 2009.  De Larrocha retired from performing in 2003, after a 76-year career.

Ralph Lauer

I think of it as the “piano Olympics,” but perhaps the best description of the Van Cliburn International Piano Competition comes from the Boston Globe: “a cross between the Miss America Pageant, the Olympic Games, the Academy Awards, and the Pulitzer Prize.”

Every four years, since 1962, pianists from around the world gather in Fort Worth, Texas to compete for prizes and glory.

Previous Cliburn Gold winners include  Jon Nakamatsu, Vadym Koholodenko, and Olga Kern.


The New York Philharmonic is the nation’s oldest symphony orchestra, but it wasn’t until 2014 that it welcomed its first black principal player. While that fact may seem staggering, recent data paint a bleak picture of the state of diversity in classical music: only 4% of orchestra musicians are either African American or Latino.

Organizers of this summer's Gateways Music Festival are committed to improving that percentage. The festival features musicians of African descent and works by African-American composers. Our guests give us a preview of the festival and discuss how to make classical music more accessible to underserved communities. In studio:

  • Jamal Rossi, dean of the Eastman School of Music
  • Paul Burgett, chairman of the board of the Gateways Music Festival, and University of Rochester vice president and senior advisor to the president of the University of Rochester
  • Lee Koonce, president and artistic director of the Gateways Music Festival
  • Dalanie Harris, double bassist, and sophomore at the Eastman School of Music

When John Luther Adams won the Pulitzer Prize for music in 2014 for his undulating orchestral piece Become Ocean, you'd be forgiven for thinking of him as something like the Jacques Cousteau of contemporary classical music.

If you weren’t paying attention, you might have missed that these guys will be here in the fall:

A video of Russian President Vladimir Putin taking a turn at the ivories in Beijing is currently making the Internet rounds.

Caitlin Ochs for The New York Times

An emotional crowd cheered soprano Renée Fleming on Saturday after her final performance as the Marschallin in Richard Strauss’s “Der Rosenkavalier.”

“I’m thrilled to be leaving her on a high note with this phenomenal cast and gorgeous, smart new production," she said.  "I wouldn’t mind stopping the clocks for a moment or two today.”

See video and read more here.

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